![]() ![]() Otherwise, you might be better off with another microphone. ![]() Easily work across After Effects and Premiere Pro without rerendering. If you’re sure you’ll never need to use it with an external preamp or audio recorder it will probably work just fine for you. Files of any kind - Adobe CC, Microsoft Office, web banners, movies, emails. So, there’s a word to the wise if you’re considering the Panasonic mike. But, as far as I can tell, the microphone only works when plugged directly into a compatible Panasonic camera like the GH4.įor me, this means I have to use my backup microphone, a lower quality off-brand unit, when I want to use the juicedLink preamp for audio bracketing. When connected directly to the camera it offers some nice features like software selectable response patterns (shotgun, super shotgun, stereo, or lens angle tracking). The DMW-MS2 is designed to be plugged directly into the camera. What I didn’t realize when I ordered the preamp is that my Panasonic mike won’t work with it (or any other analog preamp). In my particular case my solution presented another problem beyond the increased workflow complexity. It does create more work in post but everything is a compromise, right? Problems with the Panasonic DMW-MS2 microphone I just choose whichever channel is better, copy it, and paste it into the other channel. I’ve tried this a couple of times and it’s worked out well so far. files exported from CC2014 and they go through with no errors/warnings. This shows what the waveform looks like when capturing a mono signal at the two gain levels. After installing Premiere Pro CC 2015 Im unable to effectively play my video. Left channel on top, right channel below was recorded automatically at -16db ![]()
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